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Hana (2006) 720p YIFY Movie

Hana (2006)

A troubled young samurai seeks revenge for the death of his father.

IMDB: 6.82 Likes

  • Genre: Comedy | Drama
  • Quality: 720p
  • Size: 1.05G
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English
  • Run Time: 127
  • IMDB Rating: 6.8/10 
  • MPR: Normal
  • Peers/Seeds: 11 / 39

The Synopsis for Hana (2006) 720p

In 1702, set against the backdrop of a long-delayed and insatiable revenge, a reserved samurai, Aoki Sozaemon, leaves his hometown in Matsumoto to come to bustling Edo in search of his father's killer. Unaccomplished as a swordsman, with his funds quickly drying up, Sozaemon must honour his clan's demand to avenge a disgraceful death, however, when he finally finds his target, he will have to make a difficult decision before a crushing dilemma. Is the way of the samurai stronger than the way of the heart?


The Director and Players for Hana (2006) 720p

[Director]Hirokazu Koreeda
[Role:]Arata Furuta
[Role:]Rie Miyazawa
[Role:]Jun'ichi Okada


The Reviews for Hana (2006) 720p


missing the point about real heroismReviewed byscreaminmimiVote: 9/10

I think the first reviewer misses the point of Kore-Eda's work. He has an almost documentarian's way of showing human behavior. It's decidedly not theatrical. His characters are flawed, real people. Soza-sensei's abhorrence of violence is not undercut by his fear of being sliced up. He discovers the strength to be a real human being amid what he comes to recognize as counterproductive posturing.

The 47 Ronin subplot is not a distraction. It's a mirror of Soza's choosing life over revenge. Susumu Terajima hits just the right note as the surviving Ronin. If you don't know Japanese history and myth-making, it might seem like a distraction, but it is the point of the whole story, that a slavish devotion to the ideals of Bushido is in conflict with living an authentically human life.

Besides, Rie Miyazawa is a total hoot in the play within a play. It is a pleasant surprise that Kore-Eda can do comedy and still keep it real. I was beginning to think that he was only good at grimness, but I was reminded of the small comic touches in "Nobody Knows" and "Afterlife." I can't remember if there was anything funny in "Mabarosi." I just remember how depressing it was.

Light and enjoyableReviewed byPaul MartinVote: 6/10

This film was produced by Shochiku, a studio that I'm told is renowned for it's middle-of-the-road part-comedy/part-pathos films. Hana fits squarely in that territory and is Kore-eda's most commercial film to date.

Set in the slums of 1702 Edo (now Tokyo), the cinematography and attention to period detail were excellent. The story itself is fairly lame. A young samurai, incompetent with a sword seeks revenge for his father's death, but finds himself unable to carry out the act.

There's no doubting the competence of the director and the film's visuals are a joy to behold. It's not something that particularly engages me, but is the sort of film I would love to take my six year old son to. The blend of humour and almost slapstick action would certainly be enjoyed by him. Mind you, this is not really a children's film, even though it has the appeal of a Japanese version of a Disney film. Many adults would enjoy it, but it's not my thing.

One of high points of TIFFReviewed bykovalsky-1Vote: 10/10

It's one of those films you come out of smiling a wide happy smile - it's so delicate and subtly funny (alright, it does feature a lavatory, but none of the "standard" toilet humor), it's also kind to characters and makes its point(s) in a sly, unobtrusive manner.

It's a celebration of human values over the way of the samurai, especially as it has been presented in Japanese and Western popular culture in the past few decades. A joy to watch visually, too. I thought it might be Koreeda-san's best film so far, although some viewers may find it a bit more conventional/Westernized than, say, Nobody Knows or Maboroshi (which is not at all bad).

I will deliberately leave it at that, to avoid revealing any of the plot, which often overturns expectations.

It was the second film out of 17 I saw at the Toronto International Film Festival, and it still remains a highlight for me.

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